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  1.  3
    Anti-Electra: the radical totem of the girl.Elisabeth von Samsonow - 2019 - Minneapolis: University of Minnesota Press.
    A close examination of the relationship between media, art, and the "Electra complex" The feminist counterpart to Deleuze and Guattari's Anti-Oedipus, Anti-Electra is a philosophy of "the girl" as a model of contemporary transgressive subjectivity. Elisabeth von Samsonow asserts that focusing on the girl's escape from the Oedipus complex leads to a fundamental shift in our most common views on media and art. Presenting an interpretation of contemporary technics, Anti-Electra argues that technology today encompasses Electra's gadgets and toys. According to (...)
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  2. Die Wiederkehr des Totemismus Die Bedeutung des Tierwerdens für die zeitgenössische Medientheorie.Elisabeth von Samsonow - 2006 - In Aleida Assmann & Jan Assmann (eds.), Verwandlungen. Fink. pp. 381.
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  3.  4
    Epidemic subjects--radical ontology.Elisabeth von Samsonow & Suzana Milevska (eds.) - 2017 - Zürich: Diaphanes.
    Modern philosophy continues to grapple with the idea of subjectivity--and, as the concept of subjectivity has consequently been repeatedly refined and redefined, the struggle has spread to the ways we conceive of sovereignty, collectivity, nationality, and identity as a result. Yet, in the absence of an authoritative account of these central philosophical concepts, exciting new ways of thinking have emerged which continue to develop and evolve. Epidemic Subjects--Radical Ontology brings together a renowned team of contributors, including Eric Alliez, Levi Bryant, (...)
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  4. Latency : biography of an omniscient spy.Elisabeth von Samsonow - 2017 - In Elisabeth von Samsonow & Suzana Milevska (eds.), Epidemic subjects--radical ontology. Zürich: Diaphanes.
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  5.  11
    L'Anti-Électre totémisme et schizogamie.Elisabeth von Samsonow - 2007 - Multitudes 31 (4):211.
    For about a hundred years since the invention of the Oedipus complex, Electra stands for its feminine counterpart even though Freud would not have it thus established because he granted the female sex no claim to its own sexuality-marking complex. Electra is the mannequin on which Oedipus hangs like a coat on a coatrack.
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